kiloHearts Transient Shaperĭon’t let the low price fool you, this is an extremely responsive and ultra simple plugin with mouse-over help comments that will have you getting great results in seconds. Then it’s just a matter of picking the one that suits your needs.īelow are some excellent choices you might consider (in no particular order). If you’ve neglected using a transient designer in the past, give one a try and I guarantee you’ll be hooked. More feature-rich plugins will add multiband capability or surgical FFT-based manipulation. I’ve had great success adding bite and punch to synth parts and truly any transient-based sample can benefit from this sort of processing.įundamentally, these effects operate by giving the user separate control over the attack and decay portions of a transient. And there is no need to limit their use to percussion parts. The Transient Designer 4 is fitted with XLR connectors for balanced operation.Transient Designer plugins are really fun! They can instantly transform a dull and lifeless drum or percussion part into something that really pops, creating a dynamic and living part that can give you that cutting edge you’ve been looking for. The Signal-LEDs allow the user to quickly monitor the signal flow, which is particularly important if the four channels are connected to a patch-bay. When operating in Link-mode, the control elements of the first (or third) channel, including the Active switch, control the second (or fourth) channel, too.Įach channel is equipped with a relay hard-bypass circuit to ensure a minimum signal path when the process is bypassed and to provide power-fail safety. Linked channels are controlled by the same side-chain voltage so as to maintain a coherent and stable stereo image.
SPL TRANSIENT DESIGNER DOWNLOAD MANUAL
Because of the level-independent processing inherent in Differential Envelope Technology (DET), manual threshold adjustments are not required.įor stereo operation, the Link function connects channel pairs (1 and 2 and/or 3 and 4). The Transient Designer circuitry uses envelope followers to track the curve of the natural signal so that optimum results are guaranteed regardless of the input signal's dynamics. This results in natural-sounding signal processing and fast operation. All necessary time constants (Attack, Decay and Release) are automated and optimized adaptively in a musical manner according to the characteristics of the input signal. Attack can be amplified or attenuated by up to 15 dB while Sustain can be amplified or attenuated by up to 24 dB, enabling weak drum sounds to be made much more percussive and powerful, or for over-percussive transients to be softened. The degree of dynamic processing required to do this couldn't be duplicated even using a chain of several conventional compressors, yet only two controls per channel are required to allow the user to completely reshape the attack and sustain characteristics of a sound. SPL's Differential Envelope Technology is an SPL analog solution for level-independent shaping of envelopes, allowing transients to be accelerated or slowed down and sustained, prolonged or shortened. So, while the processing going on inside the box may be very complex, the user has to deal with only a pair of intuitive controls per channel. The Transient Designer provides a different concept for dynamic processing, rendering controls such as Threshold, Ratio and Gain superfluous, and provides a very elaborated automation. The same applies to many other signals: Amplify or reduce the picking sound of an acoustic guitar, hold the sound of the strings longer, reduce the reverb time of a choir, compress solo vocals, increase intelligibility, actuate the piano pedal "electronically", turn down the slap-bass a notch or give it even more attack, etc. It's almost like being able to change the amount of drum damping after the recording. to give them more kick, or to flatten the signals. With little effort, you can shorten or lengthen the attack of all kinds of percussive signals, such as the bass drum, snare, toms, congas etc. It is possible to shape the dynamic path of a signal as you want, as if for example you were changing the microphone distance and position after the recording has been made. Only one pair of controls per channel allows you to emphasize or smooth the attack and extend or shorten the sustain of a sound event. Unlike other dynamic devices, the processing is not governed by the signal level but rather by its dynamic envelope, so all signals (loud and soft) are processed equally. With the Transient Designer, it is possible to control the attack and sustain behavior of a signal in a simplified way. The Model 9482 Transient Designer 4 from SPL is a four channel dynamic processing device that offers a different take on level-independent shaping of the dynamic response of a sound.
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